SOUP

Interim Show Exhibited at Cambridge School of Art

For the SOUP exhibition, I presented Cattle, a large-scale fabric print from my Damnation series.

Installed as an unfurled hanging textile, the piece depicts a ring of women surrounding a central figure, channelling themes of judgement, ritual, and the abject. The fabric format allowed the work to occupy the gallery space physically and atmospherically, softening the edges while amplifying scale and presence.

Damnation is a long-term project exploring sin, corruption, morality and feminist reinterpretations of religious and historical archetypes. Showing Cattle in this interim show allowed the piece to exist as a kind of visual thesis — a culmination of the research I had been building throughout the year, spanning Baroque lighting, Dark Romanticist atmospheres, and contemporary feminist horror.